Orville Peck took the stage next, with an elaborate stage setup that resembled a saloon with a slot machine, foosball table, and more. His band, came out, and interacted with the environment before his name went up in lights, and Orville took the stage. The set was powerful with songs across all of his eras including “Big Ol’ House”, “Rehab Blues”, “Atchafalaya” (with band member and close friend Emily Rose), “Run Out Of Road”, and “C’mon Baby, Cry”. Orville wooed fans with earnest songs about his life experience, especially his time in rehab and his struggles with addictions. This is the main theme of his new album, and the vulnerability resonated with fans across the venue. Orville’s collaboration with his band brought a sense of connectedness that was touching to watch. I was also wowed by the professionalism of Orville Peck and his band when they navigated a sound issue with the speakers. The show had to take a temporary pause to address it, but when they started up again they rolled seamlessly back into their set with “Drive Me, Crazy”, a song dedicated to truckers, especially the one who was in the audience this night.